Shows

A room, red velvet armchairs, large curtains, a stage, the lights go down. "What is this empty space that needs to be filled?" writes the celebrated director Peter Brook, who describes performance as "art in the present". Scenes exist everywhere, from the moment there is an act, and people are spectators of that act, both inside and outside a theater. To cut a long story short, I've been making shows for some time now, surrounded by some fine teams, using movement techniques to say things about the world. Enjoy your discovery!

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Our creations

Viscum

30 - 40 MIN

choreography & direction

NOÉ CHAPSAL

PROPOSALS

Viscum is a clear-cut choreographic and aesthetic essay in which physical commitment is total.
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Beyond form, this piece speaks to us of intensity, of attempts as beautiful as they are exhausting to move towards each other, of consent, and of the right distance between two bodies.

In dazzling, acrobatic, feline movements, two individuals dressed in black leather collide and accompany each other in a confined space. For 40 breathless minutes, they go through the awkward, violent and touching stages of the encounter with the other.

Isthmus

60 MIN

choreography & direction

NOÉ CHAPSAL

PROPOSALS

On stage, 3 dancers and 4 musicians meet. A meeting that raises an obvious expectation: to see the dancers perform virtuoso movements in tune with a rousing score. So I decided thatIsthme would represent everything but this relational success, i.e. going against the ideals of relationships. In other words, Isthme is the universe born of the preparation of this encounter, the set of angles through which one approaches, the myriad of points that exist between the unknown and the known. All the stages preceding the point of contact, of impact, before the first glance and the end of movement.